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12:A-1. THE CONTEST

"Egungun Festival”: Pronounced: (Ay-gewn-gewn) - Nigeria.

An old festival and contest celebrated by the "Yoruba" people of modern day Nigeria. The festival, celebrates the Yoruba ideals of manhood, and skills. It could also be a Seasonal celebration. Festival is usually celebrated once or twice a year in appreciation Of peace and progress within the community. Masked contestants in opposing sides, take turns in displaying their mastery of their "whips". Fencing sports probably borrowed It’s theme from "Egungun festival" contestants.
 

 Size: 48"31"

 

12:A-2. THE FESTIVAL:

"Eyo Festival": Pronounced: (Ay-yoh) - Nigeria

Eyo Festival is mostly celebrated in the cities of southwest Nigeria. Primarily a Lagosian festival that dates back to the twelfth century. The festival celebrates the Important social roles of a town: its chiefs, known-families, sons and daughters, achievers that have made the town proud.  Male dancers from various indigenous families covered in hooded flowing sheets, a top-hat, and a bat-like stick (Or-kpan-bata) yells out screeching sounds in approaching seated dignitaries and invitees. It is disloyal for a spectator to have on shoes, hats, or head-ties in the presence of an Eyo. Climax of festival occurs when dancers, in a procession-like format before invited dignitaries, in masked voices, raised bats and on one-foot, ushering salutations, praise names, and songs as they pass by.

 Size: 48"31"

 

12:A-3. THE TWINS:

"Ibeji": Pronounced: (Ee-bay-gee) - Nigeria

In the Yoruba culture, twins are children whose birth are celebrated as twice the blessing of the gift of a newborn. The Yoruba’s have one of the highest rates of twin births in the world, and the loss of twins is therefore considered a great tragedy. The birth of twins is a  highly symbolic a "Special Gift" from the creator within most African cultures. The special bonding between twins and their mother, in Yoruba, is compared to the botanical germination and growth of "black-eyed-beans" (commonly known to Americans as black-eyed-peas).  Beans are therefore the dish of celebration served at the birth of twins.
 

 Size: 48"31"

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12:A-4. THE CORONATION:

"Oba": Pronounced: (Ah-bah) - Nigeria

The Yoruba depiction of the crowning of the King is conveyed here.  While the dominant tradition and culture in the ascension to the throne by the next King is mostly hereditary (usually the firstborn son of the first wife-queen-mother); in certain circumstances, the King-maker would have to consult with the traditional elders in order to choose the next king.  In both situations, the king-maker then crowns the chosen one while handing over the traditional authority: crown and staff of his forefathers to the new king. Coronation is performed in the palace with family members, invited guests, and festivities representing the entire town.
 

 Size: 48"31"

 

12: A-5. THE MESSENGERS:

"Akpele": Pronounced: (Ar-kpe-le) - Nigeria
In the Aniocha (Ani-or-cha) Ibo (Ee-bo) tradition of the current Delta State of Nigeria, the akpele (horn), has multiplicity usage: For entertainment and  communication.  Used in different gracious occasions like: The King’s inauguration or appointments of Chiefs by the King. The horn has always been the traditional tool to effectively Communicate in the African culture. Even when used as a musical instrument, it still communicates. The horn players, (messengers) communicates salutations, Praises, and songs in announcing the arrival of the King from far away travels or for a ceremonial occasion.
 

 Size: 46"23"

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12:A-6. THE MUSICAL-ENSEMBLE:

Musical instruments arrangement: Anti-clockwise from bottom-left: - Nigeria
"Ago" - Hollow-Steel-drum: Pronounced: (Ar-go) - Yoruba
"Okwa” - Hollow-Wooden-drum: Pronounced :(Okw-a) - Ibo
"Eeluh" - Hand-drum: Pronounced: (Eee-lu) - Yoruba
"Ekwe" - Hollow-steel-drum: Pronounced: (A-kw-a) - Ibo
"Samba” - Flat-Skin-drum : Pronounced: (Samm-bar) - Yoruba
"Goje" - Guitar : Pronounced: (Go-jay) - Hausa
"Akuba" - Leg- drum : Pronounced: (Ar-ku-bar) - Yoruba
"Eeluh" - Talking-drum : Pronounced: (Eee-lu) - Yoruba
"Sekere" -Hand-beads-instrument:
     Pronounced: (Sh-ee-ke-reh) - Yoruba

 

Musical instruments primarily serve two purposes in the African tradition: Means of communication and entertainment.
 

 $ Size: 46"23"


12:A-7. MELODY MAKER:

Street-Melody Maker: - Nigeria
Traditional instrumentalist plays sweet melody to young female dancers. A celebration of Womanhood. Long before 1500, much of present-day Nigeria was divided into states, Tub-attired musicians, and background building-sketches depict an "Hausa" (How-sa) City of Northern Nigeria. Young female dancers in waist-beads and white 2-piece outfits connotes the essence of beauty, moral purity, virtue, and youthfulness.
 

 Size: 46"23"

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12:A-8. BRIDE PRICE:

"Iyawo" Customary-Bride Price:
  Pronounced: (Ee-yah-woe) - Nigeria
It is customary to pay "bride-price" in the consolidation of most African marriages. It is the responsibility of the groom's family to pay bride-price to the bride's family. This is undertaken more in the spirit of hospitality, friendship, respect, and honor to both bride and groom families. The bride-price displayed before the bride are foodstuffs presented in bowls. In Yoruba iconography, bowls contain hidden powers and are thought of as possessing powers similar to those of women, associated with their powers of reproduction and ability to compromise the fertility of others.  This is the hidden power of "our mothers".
 



 Size:39"16"


12:A-9. ABANG DANCERS:

"Abang" Dancers: Pronounced :(Ar-bang) - Nigeria
The "Abang" dancers of the "Calabar" (Car-lar-bar) people, mostly in the Cross-river states of current Nigeria, celebrates the ideals of female beauty and virtue: ankle and waist beads, elaborate and exaggerated waist-line and head dress. The total outfit connotes: cosmetic skills, sexuality, nobility, discipline, prudence and inner serenity. The "Abang" dancers balancing act symbolizes and expresses the qualities of calmness, patience, and "coolness" desired in Calabar women.



 Size: 39"16"
 

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12:A-10. END OF DAY:

The Return of the "Palmwine-Tapper" - Nigeria
Among the West-African people, Winery (Palm-Wine-Tapping) is one of the oldest male profession. Wine derived out of African tropical palm. There are two-types of "palm-wine": the "Up and down" wine. Tools of the trade includes: (Calabash): Wine storage containers made out of African- melon shells. (Ar-gbu): a holler-hoop-like sturdy rope made out of the bark of a palm tree is used for climbing to the top of palm tree, to tap wine. At the end of day, prior to the advent of bicycles, the palm-wine-taper usually walk home.
 


 Size: 16"39"


12:A-11. CELBRATION:

"Amulu-dun" entertainers:
  Pronounced: (Ar-mulu-duun) - Nigeria
The arrival of the full moon could be a reason for celebration. Literally interpreted, Ar-mulu-du in Yoruba means: the festivity of the town.  Entire town or community could be plunged into festivity to celebrate a good Harvest. Dancers enjoying the sweet melody of entertainers: Arku-ba (foot drum), She-keer-re (hand-beads-instrument) and Eee-luh (talking drum).
 


 Size: 46"23"

 

12:A-12. FISHING FESTIVAL & CONTEST:

"Arugungun Festival" :
  Pronounced: (Arr-goon-goo) - Nigeria
To the people of Arr-goon-goo , northern state (lake Chad) of Nigeria, fishing is the most important and noblest profession. The objective of the fishing festival and contest is to proclaim the best fisherman of the community. Determined simply: by who makes the biggest catch of the day. At festival contest time, fishermen are lined-up, grouped in their various associations. With tools of trade: Catch-Net, canoe, and Pumpkin-bowl ready, the contest begins, with the singing of work-songs.
 

 Size: 39"16"

 

Ezemu Gallery Café
117 Broadway Avenue, Suite 416
Toronto, Ontario
M4P 1V3 - Canada
(416) 845-1141
(703)706-5717 - USA/CANADA
Contact: info@ezemugallerycafe.com

 

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Featured Artist:

 

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